chelsea wrote:Hello again,
To restate my position, especally for those who may have skimmed through the earlier posts is this:
- The lifetime of an artist + 75 years after death is a fair lenght of time for life of copyright for artisic work
- Downloading my work or physically taking it without paying me or my agents (ie record company) is theft
- There should be fair useage of work allowed ie back up copies etc. The change that affects in april 09 should be ammeded to allow for this.
- There should be proscutions of those who facilate this theft ie bit torrent site's and search engines which lead people to them. End users in effect should be 'decriminalised' ie take away the supply not the user.
ndr008 wrote:chelsea wrote:Hello again,
To restate my position, especally for those who may have skimmed through the earlier posts is this:
- The lifetime of an artist + 75 years after death is a fair lenght of time for life of copyright for artisic work
- Downloading my work or physically taking it without paying me or my agents (ie record company) is theft
- There should be fair useage of work allowed ie back up copies etc. The change that affects in april 09 should be ammeded to allow for this.
- There should be proscutions of those who facilate this theft ie bit torrent site's and search engines which lead people to them. End users in effect should be 'decriminalised' ie take away the supply not the user.
First off, let me point out, what I say, or anyone says here, is not neccessarily the party's position, but the opinion/debate of people that have an interest in PPUK or aligned with its core interest.
So:
a) The lifetime of an artist + 75 years after death is a fair lenght of time for life of copyright for artisic work
> From the gist of what's been discussed - we tend to disagree with such a lengthy copyright. It benefits you - perhaps. But just cause the law has currently made it beneficial to such businesses does not mean it should never be changed. When we realised not letting women vote was wrong - we made change. When something is decided to be wrong (and by wrong - not neccessarily completely wrong, just needs reform), the logic is to reform - under reform, people who previously benefited, will be uncomfortable - such as you of course - no answer will make everyone happy.
You made an example regarding building a farm or something - someone countered your argument with the builder.
rancidpunk wrote:This is why copyright exists in the first place but to say that if you write a global superhit you and your decendants should continue to profit from it forever is plain daft, indeed it would be the same as me delivering a cargo in my lorry and expecting to be paid for doing so for the rest of my life. I do appreciate that artists don't produce a song a day and it takes a lot of effort and creative thought to produce a good song, but should that be seen as any more worthy than a doctor saving lives in casualty 12 hours a day for twenty years, I don't think so.
chelsea wrote:You also say your are associated with the pirate party sweden who ran the pirate bay.org
chelsea wrote:You also say your are associated with the pirate party sweden who ran the pirate bay.org
rancidpunk wrote:chelsea wrote:You also say your are associated with the pirate party sweden who ran the pirate bay.org
Not wishing to sound aggressive but have you done any research into either side of the argument?
"Know your enemy" Sun Tzu and Green Day
rancidpunk wrote:Chelsea, I'm quite happy for the debate to continue and I realise that you are enjoying it as much as we are but could you at least let us know if you are in the EU or give us some context to work with. Perhaps an example of another artist who has similar problems to the ones you feel you have, anything would be good.
Comparing yourself to a factory, farm or tree is fair enough and I agree that it would be yours ad ifinitum, however the produce from such would not be yours forever, indeed it would be sold for a one off payment as it is a physical product. In a digital sense your argument does not work, as I can copy the material without depriving you of the original, which I can't do with apples. This is why copyright exists in the first place but to say that if you write a global superhit you and your decendants should continue to profit from it forever is plain daft, indeed it would be the same as me delivering a cargo in my lorry and expecting to be paid for doing so for the rest of my life. I do appreciate that artists don't produce a song a day and it takes a lot of effort and creative thought to produce a good song, but should that be seen as any more worthy than a doctor saving lives in casualty 12 hours a day for twenty years, I don't think so.
edmundrw wrote:
And Yes, I'm afraid you did mess up the quotes again![]()
We shall see & history will judge - I think you will have to change your practices and expectations and ultimately it will be governments that give up the fight for the simple reason that they don't know the Nottingham Forest as well as Robin Hood does.
If you let me know the name of one of your albums I will check it out and if I like it I will paypal you a donation...
valisk1 wrote:Hi Chelsea,
As for copyright length, as I understand it, we haven't reached a final consensus, and the 5 year figure is a placeholder inherited from our Swedish brethren.
chelsea wrote:Thank you for the offer of a paypal donation if you end up liking my works. I'd prefer to stay annoyomus however. Do you make paypal donations to every artist whoose work you like? To me it sounds a little condascending to be honsent which i'm sure isn't the intention. I know i would just rather you pay the price i set - if you don't argee with the value i set then don't buy it. The flipside of that of course is that you don't get to have it anyway.
ndr008 wrote:No official affiliation, just independent groups inspired by the same philosophy and goal.
For the record Pirate Party Sweden is not related with Pirate Bay other than both believe in p2p and sharing information. And for the same reasons we gave - why you cannot ban parts of the net and search engines on ethical grounds even if it is a way of illegal sharing occuring. It is like saying, if we found out that say in Coventry 95% of rapes occur at night. We just won't let anyone go out at night to ensure no rape occurs..
Also for the person mentioned about a doctor who saves lives. He also spends about 6years of his life studying and building up student loans and a late start on saving money up for property and what not - in order to acquire a living.
Everyone makes their choices on how they think they want to make their money. Musicians are not special - I understand there more volatile nature industry. However similarly - if a dentist or heart surgen lost his steady hand - his career is over. So maybe not that much more volatile either.
The advant of ECUs and EFi in cars made many old school mechanics loose their jobs, because you could not just tune 'a carburetter' with a laptop. Tough - technology advanced, some businesses fell. New ones came.
chelsea wrote:Interesting about technological advances making industires obsolute. Music (and entermainent/creative industries as a whole) haven't been made obsolute other wise there would be no more demand for them. Piracy (a problem before the internet) has been made easier but piracy is not sustainable. The choice has become do what the creative industires to carry on or not and the answer would seem to be yes.
valisk1 wrote:
In all cases money coming direct to you and not being cut with a middleman, except in cases where you have prior arrangements, so a most likely a bigger slice of the pie that your music generates.
And I'm not one of these people that thinks the record industry should take a running jump, I understand it's given tremendous benefits to artists in many cases.
The record industry should be working hard to make all the above and more easy to access for its artists, and it has been slow, negligent even like an enraged child smashing everything in sight in a seriously futile effort to regain the same level of control as they had in the 1950/60s, before looking to see if it could do something new with whats going on.
In all seriousness, one or two of these things might have been possible pre-digital, but not at all with the same reach and impact as you could do so, with relative ease, today.
I'd actually argue you have lost a strong but centralized method of distribution to history, but you have gained a number of decentralized methods of revenue generation in return. Many of them building a much more personal relationship between you and your fans which I think, unarguably, would mean higher sales and a much more loyal fanbase.
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